Formats for Print and Screen

Social Media and Screens

  • The average computer screen or TV has a ratio of 16×9
  • Phones range all over, however, well over 1/3rd of them use some variant on 9×16, with the exceptions typically being longer.
  • However, 4×3 or 3×4 is also very common because tablets work better with a more square ratio. This is what iPad uses.
  • Twitter will not crop, but will display fully:
    • 1 16×9 picture
    • 2 8×9 pictures
    • 1 8×9 picture followed by 2 16×9 pictures
    • 4 (2×2) 16×9 pictures
  • 3 16×9 pictures stacked vertically fits neatly on:
    • The average phone screen
    • Facebook, if contained within a single larger image
    • A 5×8 print book with generous margins
  • 16×9 panels with 12-point text in a 5×8 book results in text that is still large enough to read clearly in a 2×2 grid of images on Twitter on mobile.
  • Therefore, Bunny Trail Junction is formatted as 3 16×9 panels, the first two of which may be joined into a single 8×9 panel (absorbing the gutter between them to make up the difference). Any of these two or three panels may be split vertically into two ‘sub-panels’ wherever I like. Although the format is so small, it seldom makes sense to do so anywhere but the center.
    • This is posted on Twitter as individual images plus an additional “Title Card” posted at the beginning of a 3-image set, or the end of a 2-image set.
    • This is posted as just the individual images on bunny-trail.com which, thanks to the webcomic WordPress theme I’m using, arranges the panels horizontally on desktop and vertically on mobile.
    • On Facebook, I found that uploading the pages meant for the print book had some irritating cropping, but was readable.
      • Ideally, I would export a separate, lower-resolution image that was less tall, to control the cropping myself, but at the time I judged the extra work was not enough benefit for the time.
      • Just prior to launching Bunny Trail Junction, I deleted my Facebook because they were getting extra-specially Stasi.
    • None of these formats works well for Gab. I think assembling the 2×2 grid I post on Twitter, but as a single image, might work for Gab, but as I rarely go there, I have not yet tested it.
    • Instagram is supposed to be the place for images, but every time I consider starting an account, I have turned away for some reason.
  • My first print book was 8.5×11 because that’s as big as Amazon KDP lets me go.
    • I stopped making them that big because it felt wrong that my books were larger than Dr. Seuss’s.
      • However, reading a biography of Seuss killed my reverence for him. I may not yet be on his level, but I no longer care if my books are bigger than his.
    • Big books with big illustrations are great. Why wouldn’t I want kids to have bigger pictures?
    • However, ideally, I would create my drawings even larger than the final pages
      • Consumer tools are not well-suited to going larger than 8.5×11
        • I do have a printer that prints and scans 11×17
        • The paper types available at that size are either poorly suited to take ink drawings, or else too heavy for my printer to process well.
        • My standard workflow of sketching digitally at low-res, printing the sketch big, refining by hand and inking, and then scanning in, is still poorly suited to available equipment.
        • But I do have a light table that might fill the gaps once I clear out the Den.
        • More testing is required.
      • KDP’s Hardcover formats have one that is physically 8.5×11, but the pages inside are slightly narrower.
  • Amazon KDP is geared towards 6×9 and tries to push you towards it.
    • Most of my books are 6×9
    • My 11×17 scanner/printer makes my workflow quite well optimized for 6×9 work.
    • Bigger pictures would be nicer, but 6×9 isn’t bad
  • 5×8 is the smallest KDP will go
    • 5×8 does, just barely, fit into my pockets, but calling it a pocket book is a terrible stretch.
    • 5×8 it well-suited to holding 3 16×9 images on a single page.
    • KDP has a dedicated 5×8 hardcover format.
  • 8×9 is one half of 16×9, and therefore a single two-page spread of an 8×9 book would be one ‘screen’ in size or one ‘panel’ in the Bunny Trail Junction 3-Panel format.
    • 8×9 is a weird size. Some printers won’t do it.
      • This is an important consideration. If a publisher I want to work with is doing print runs instead of POD, 8×9 is not impossible, but may complicate matters.
      • KDP certainly won’t do it hardcover.
      • But they will do it paperback.
      • The first bulk POD comic printer I’ve looked at will do 8×9! And hardcover! We’re looking at $4.50 a book perfect-bound softcover, full color, or $11.52 per book hardcover, assuming my usual 30-ish pages. That’s assuming a small bulk order, unlike the single-issue POD of KDP (these will be intrinsically more expensive).
    • Prototyping a 2-page spread of 8×9, a prototype for a portion of a kids’ book, would work as an episode of Bunny Trail Junction. Or as a “Hit for the Eye-buds”
    • A 2-page spread of 8×9 would fit on 11×17 paper, albeit only just. If I want to work bigger than my final size, I still have the tech hurdles I have with 8.5×11 books.
    • You could fit 4 16×9 panels on two pages, though the read order would be unclear, and the panels would be hyuuuge.
      • Conversely, you could fit one 8×9 four-panel comic per page, the read-order would be fine, and the panels would be a more traditional newspaper comic ratio
        • This would post fine on Twitter as a second image with an 8×9 title card.
        • This would probably post fine on Gab by itself.
        • This would probably post fine on Facebook by itself.
        • I have no data for Instagram.
        • Ideally, the panels would display 4×1 on Desktop and 2×2 on mobile, but I can’t yet predict that.
        • Actually, yes I can. I can do a makeshift comic using my Inktobers. BRB.
          • Toocheke likes to do 3 panels in one row, and 1 in the last in Desktop mode, but on Mobile it stacks them vertical, and you can see 1 whole panel and most of the second on my phone (which is taller than 16×9) Not optimal, but I can live with it.
    • For projects with people making comic books and manga, I will probably favor comic book and manga sizes, in accordance with the sort of thing that is being created. However, I need to make at least one 8×9 book, and I suspect that will be my format of choice going forward.
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Captain’s Log LB•33: Moving on to the next game

As of Captain’s Log LB•11: The Primacy of Vidya, I have decided that henceforth instead of making comics, games, videos, or books as the fit takes me, I will be making games and then deriving comics, books, and videos from the games as much as possible.

It’s no good for some things, like Awesome Moments, obviously. In that specific case, I am content. Awesome Moments is a record for my own children, and I feel a little odd about making it a product. But I do need to make a product.

I’m working using a concept/business model I am calling the Game Tower.

Game Towers

Game Tower is a game development technique wherein you make a miniature game that is a Complete Game that implements a core mechanic of some larger game you would like to make. Then you release and sell that game. Then, on top of that miniature game, you build a larger miniature game that has an additional component. In this way, you build a tower that grows towards the dream game you wish to make, while also increasingly funding that game and expanding your track record.

Note LA•S9

I have discussed before how I find dismal projections of how little money indie game developers make to be encouraging. Partly because I’m old poor, so a coder’s “I could never live on this” is easily 50% more than I can hope for as a Lowes Greeter. But partly because of the way Game Towers work. The projections in question assume you are marketing from square one each time, but every brick in a Game Tower helps sell the brick below and the brick above.

I have two Game Towers in the running. A JRPG Tower, which we’ve spoken of and…

The one I’ve chosen, Game Tower Awakening, is building a foundation with my favorite games in mind, especially The Legend of Zelda: Link’s Awakening for the Gameboy, with later influences from Megaman and Megaman X.

The first brick in that tower is familiarize myself with the Godot engine, try out some graphical and gameplay ideas, and see how that goes. And so I have done. Hat Trick: Prelude to Nightmare was made in Godot, tested the ideas, and is technically a Complete Game, even though it is not a good game.

Today’s Choice

Now, this is not the first game in the tower to be ‘financially viable’. Nor can I follow the proper methodology with this game, as making it has taught me several things I want to change on the ground floor. So after concluding I should focus on vidya, I debated two options:

  1. Release the Proof of Concept with no real gameplay to the world and immediately begin working on the second brick.
  2. Spend up to a week polishing the Proof of Concept so that it can be reasonably considered a real minigame.

The advantage of 1 is that it does a better job as a marketing tool. Hat Trick: Prelude to Nightmare was not meant to be a mere proof of concept. It was meant to market the Hat Trick comics on Bunny Trail Junction And it was meant to market the second brick. Right now, it’s not a good game. All it can really do is prove I can make certain things.

To make it a good minigame, I have a week or more of work ahead of me. Animating goblins, developing rudimentary AI, filling out the levels, changing the music at dramatically relevant times, and adding a bunch of satisfying beeps and swooshes to the menuing. This puts me a week or more further away from making the second brick. No big deal?

It would be good to do. I have learned a lot of stuff about Godot making this first game in the engine. There’s a bunch of things I want to do completely different now. And I know from experience that game dev will always be like this. If I start over, build a new foundation, by the time I get a game out of that, I will have a ton of stuff I’ll wish I’d done differently. Pushing forward to make the minigame a proper minigame would mean I begin work on it with even more notions of how I can do better.

But some of the changes I intend to make are fairly drastic.

Some Changes

For instance, I want to build my animation system differently so I can compartmentalize animations and reuse them between multiple characters. Oh, and here’s a big one.

I’m going to ditch 2D for 3D.

Not entirely. I still intend to use the same sprites and tiles. But I will do so in a manner reminiscent of Paper Mario or Octopath Traveler, albeit with an overhead perspective instead of a side-on perspective. So more of a Pokémon Black & White kind of look.

See, one of the things I love about Link’s Awakening is all the jumping. To add top-down platforming in 2D would be complex. I’d have to carefully consider how to emulate the third dimension. How to alter and sort the graphics as they get higher or lower. How to track which parts of the map are at which height.

If I just shift that gameplay into Godot’s 3D engine, I get all that stuff automatically.

And I can take a Link’s Awakening style adventure and make Megaman or Sonic levels by tipping the camera on its side a little.

And I suspect (I do not know, but I suspect) that Godot may succeed for me where Unity failed, allowing me to prototype gaming in pixel art, and then slip HD art with the same proportions in if I decide to make the game more ambitious.

Unity, I had such high hopes for you!

The Choice Revisited

Now, let’s take a quick look at Option 2: cut off my proof of concept where it is and begin building the second brick now.

If I am correct, I should hit a stage in developing the second game where I can take a couple of days, build out the first brick’s world and situation in the game in progress, and simply publish it in place of the proof of concept. That is, a month (hopefully less) into making the second brick, I can paint the second brick to look like the first brick, and get all the advantages of finishing the first brick first, as well as the advantages of cutting directly to the second brick.

So that’s my choice. Today or tomorrow, the Proof of Concept will be available for download on bunnytrail.itch.io/hattrick0 and then, later, when I can recreate it and more in the second brick engine, it will be swapped out.

The Second Brick

The Second Brick is a ninja stealth combat game where you play a snow leopard ninja my wife uses as her online avatar, sneaking around and killing therians. Tenchu Z in the Link’s Awakening engine. Aside from the meager marketing I manage on Twitter by my lonesome, this has the advantage that I can have her run betas on her Twitch streams, and enlist her fanbase in spreading the word.

The Third Brick…

I have many, many friends online who are writing excellent books and comics and drawing attention. Releasing the second brick is all the proof I need that I can turn one of these into a still bigger game. I have lots of ideas for several properties, but we will see who is amenable. With our audiences combined, the Third Brick will have an even greater reach.

And Beyond?

That JRPG Tower I was working on? The one that’s more marketable, has better storytelling potential and so forth than the Tower I’ve chosen to build just because I happen to like it more?

It may have very different gameplay than this Tower. But I might be able to take the work I do on graphics and dialogue and world representation, and use the same foundation for a second Game Tower.

Captain’s Log LB•11: the Primacy of Vidya

After several days of consideration and a day walking ’round in chilly weather with a cyborg eyepatch and a cockatiel, I have settled on some conclusions for Bunny Trail Junction and my various projects going forward. Chief of these is this:

Vidya is Prime

Vidya is my prime medium. Comics, children’s books, internet videos, and so forth are all fine ways to tell stories, and I should use them, especially when vidya is unsuited to a specific story. But most of my alternative media should be vidya first, and then derived from vidya.

LB1•11

Now, there are arguments against vidya being prime.

Vidya is Bad!

I’ve been listening to a podcast called A Brief History of Power, and it has been recommending that we disconnect as much as possible from screens in general. Your life will, it is argued, be more functional without TV, Facebook, and Mario. And I agree. I try to limit my kids’ screen time and advocate the whole family limit theirs.

But I do not believe the technology is intrinsically evil. I believe it is a usable tool that has been made into a glowing idol before which men bow and receive propaganda from their gods. Christians ought to be wary of the tool because that is its primary usage. But we can and should use it to our ends by our means.

In A Brief History of Power, especially BHOP 063, Rev Fisk and Dr. Koontz make a distinction between media intended to be integrated into life and most media, which is design to wholly absorb your attention and suck you into its world. This is regarded by Fisk and Koontz as an unhealthy thing, especially in excess.

I am a proponent of Tolkien’s Escapism.

Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don’t we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as we can!
– J.R.R. Tolkien

That is, I agree that Escapism to the extent that you run away from the real world when you could be making it better is at some point a vice, and it is a vice that is clearly endorsed especially by the Pop Cult, one of the Secular Cults of my area and era.

The Pop Cult is devoted to movies, video games, and other franchises. It is the religion of Disney, Marvel, and other forms of mass media. Men escape their sad lives into fantasy worlds. The Pop Cult is offered up to the population by the Death Cult as a narcotic, and the media therein is intentionally laced with Death Cult propaganda. However, practitioners of the Pop Cult are not necessarily conscious Death Cult Members.

However, I believe that attention absorbing, escapist media is good, right, and salutary for two purposes, hinted at by Tolkien.

  1. For Christian Rest. That is, for escape from this world, this vale of tears, with all its woe, toil, struggle, and incessant Death Cult propaganda.
  2. For escape from cults. That is, Christian men should create media that permits refuge for their fellow believers, and a doorway to freedom from evil cults for the trapped cultists.

Consumption of non-Christian-made entertainment is not wholly contraindicated here. I’m not making a law saying “don’t watch TV”. Nor are Fisk and Koontz.

Fisk and Koontz, (and I) would recommend, rather, that you consider what the media you consume is doing to you, and consciously decide whether you want that to happen.

And what is indicated is the production of media by Christians.

Reasons FOR the Primacy of Vidya

  • can make it. While the barriers of entry are lower than they ever have been, and continue to plummet, not many men can.
  • It combines all the skills in my talent stack, making it both more valuable and harder to duplicate.
  • Distribution is solved. While I can (and want to) make physical copies, I can give away a game to Kickstarter backers for 25% of the final intended cost, or as a free add-on for subscribing to my mailing list. These things are not possible for paper children’s books.
  • It is easier to derive my other media forms from vidya than vidya from the forms. I have already solved the problem of making black and white print comics from pixel art. I have not yet made motion comics for YouTube, but I suspect a game->video pipeline is simpler than a video->game pipeline.
  • It is much more likely (IMO) that I will build a game business that puts out books and comics than that I will build a book business that puts out games.

Conclusion

My new plan is to finish out December in Bunny Trail Junction, then go on indefinite hiatus while I roll up a video game business. That game business should quickly start leaking into videos, comics, and books as well. I hope in time to end the hiatus in February with a bimonthly format that carries through 2022, so that the 2021 annual and the 2022 annual are roughly the same size, but the Vidya is Prime.

Captain’s Log LA·K1: I need to do one thing.

So, here’s the updates I should have done on Monday, except I was pushing the game to completion, and yesterday, except I was power-recovering from a head-cold.

Awesome Moments

I promised to upload the third draft by last weekend. I have failed because I don’t yet have my pastor’s notes. I will be getting them today, inserting (I think) two more pages into the story to really hammer home the centerpiece of the plot, and keeping my promise.

The Kickstarter is 1/3rd funded! Right now, I’m not pleased with the options I have available for people to back it. This weekend, I hope to tweak it a bit so people can get, e.g. coloring books, or something else that I can price relatively low and have the book itself have a large enough markup I can actually use the funds for more than production and shipping.

I have mixed feelings about Awesome Moments. I am 100% on board with making it, and it being the greatest thing I’ve ever created, for the sake of my children. But as a product I offer the world, I am hesitant. So I am praying that it funds or not based on God’s blessing the project as a whole.

I am not hesitant to share the project with the world, however. I love it. I believe you should love it too. I am excited about it. And I am going to be putting up posters, arranging to speak at churches, and so forth. The trick is, how do I balance that with what I said I’d do in October and November before I decided to try

Bunny Trail Junction: The Comic

November has been assembled all month. So according to my normal process, I should have it uploaded to Amazon, right?

Wrong. I’ve been tearing my hair out all month trying to simultaneously do the Awesome Moments Kickstarter and get the game that also launches in November done. I haven’t even kept up on producing comics.

Technically I have, as the pixel art comics…

… are so easy to produce that I have 24 comics already done this month. The problem is, that’s not what I want to run. I don’t want to offer my Bunny Trail Junction readers me blathering about what I should do or not do. That’s what this blog is for! I want to offer the readers stories!

Moreover, Hat Trick is picking up traction at least as much as Awesome Moments, thanks to all the work I’ve been putting into the game. Although neither is getting the kind of traction I need to make a living yet.

Currently, I have a couple of ideas for the comic. All of my ideas involve finishing out December strong, then maybe changing it up.

These ideas can be mixed, matched, and stacked.

  1. Cut Back Next Year: The current favored plan is to reduce the comic to 3 strips a week instead of seven, and release bimonthlies instead of monthlies. This frees up enough time for me to work on games and videos while keeping the comic on life support.
  2. January Sabbatical: No comic in January while I focus on retooling everything. This would be really helpful because even if I cut back to a bimonthly, I still have to have January and February both done at the beginning of January. Unless I take a one-month sabbatical. And then, if I do the full 31 comics for Inktober next year, with every other issue being every/other month, the 2022 annual will be roughly the size of the 2021 annual.
  3. A Story In Pixel Art: This is my favorite plan, but it’s also the newest, and I haven’t let it marinate as long. If I can devise a story that works as a sprite comic, in the style that I’m doing for the games, I can generate enough comics to cover the gap between months where I draw and months where I work on games or books.
  4. Story Books As Web Comics: And finally, if I just do a two-page spread of the 5×8 as a single day, like the prayers I’m going to be including in December, that totally counts, and it fits certain story beats better.

3 and 4 are the newest, but most awesome notions. Sprite comics allow for awesome animations. The title screen I’ve got for my game has already convinced me that I want to do comics that look like this. And if I can make storybooks for Bunny Trail Junction that later lead to larger, illustrated books, so much the better.

Just look at that title menu! Comics that look like that would kick ass! And the more I weave my comics and games together, the better for each of them.

November will have two or three comics that straight up have animations in them on the website. And that rocks. Putting that stuff in stories will be super cool.

Anyhow, today I’m going to try and polish off the last edits to November and get that submitted to KDP today.

Hat Trick: Prelude to Nightmare

I spent Saturday and Monday neglecting all my other responsibilities to make Hat Trick: Prelude to Nightmare a complete game. And it is done.

That doesn’t mean it’s a good game, or even the game I wanted to make. To get close to what I want, I need to add:

  • Enemies that fight back.
  • Health and health drops
  • More combat options like dashing and parrying.
  • More world to explore and waves of foes to fight.
  • Nice sound effects to menus and the like.
  • Spawn animations of goblins bursting from the ground.
  • Music changes when exploring Vs. Fighting.
  • Arthur’s portrait changing based on the situation.

But, it has a win condition, a lose condition, an options menu, and a controls menu. If I get only partway through the things I want to add by November, and then have to cut it off, at least I will cut it off a finished, if sub-standard, product.

I want to make a whole blog post about what I’ve learned from making the game, and how I’d like to tweak things moving into the next one. So stay tuned for that.

Going Where My Audience Is

I have rebranded my Jump the Shark YouTube Channel as a Bunny Trail Junction Youtube Channel.

I have observed before my audience is kids. To reach kids, I need to go where kids are. Which is not twitter, or bunny-trail.com. It may be YouTube.

My current idea is to take my Kids’ Pulp Formula, write a bunch of stories, and upload one or two a week to YouTube. I’d draw one or two pictures for the story, record myself reading it, and thus build the audience for my books, my comics, and my games. For the same purpose, I’ve created a branded SubscribeStar.

My intention is to create a family-supporting setting and cast using my Piqha for the majority of the stories, although doing my existing books and comics is also fine. But Piqha, man, they’re so cool, and so far none of my finished work is strongly counter to modern propaganda pieces. I want a Berenstain Bears but with a respectable Papa. And the Piqha can do that.

But I haven’t put a single penstroke down for this project yet. Fulfilling my comic promises and advertising Awesome Moments has eaten all of my time! And right now, I’m not even feeling it. I’m feeling my game.

Man, getting my comic to look like this would be so cool. Heck, using bits like this rendered in-engine for videos would be so cool.

I’ve never edited videos before. I’ll need to record myself reading stories and edit the audio as well, and I’m not sure how I’ll find the silence necessary to pull it off on this farm. Right now, as I write this, my sister’s dogs are barking, and there are baby chickens chirping directly under my window.

These are all rather niggling excuses. I can overcome them. But that leads me to the one all-encompassing problem that I have with my projects.

I Should Only Do One Thing At A Time

I am able to do a great job getting funding for Awesome Moments, telling people how great it’s going to be, doing updates for the Kickstarter, and tweaking the rewards to generate interest.

As long as I do nothing else.

I am able to do a great job inking beautiful comics with intriguing stories to run on Bunny Trail Junction every single day for months ahead of time.

As long as I do nothing else.

I am able to build a retro game that looks super fun and exciting and slowly build up hype for it as I put in more and more cool features.

As long as I do nothing else.

I suspect the same is true of the YoutTube videos. The reason my mind is coming up with a slew of excuses is right now I am in game-development mode, and my mind doesn’t want to switch to advertising mode or to video mode or to drawing mode. But somehow, I’ve developed a plan of action where this month I’m doing all four at the same time.

That has to stop.

I can present all four at the same time. I’m presenting Inktober right now, although it’s certainly not getting me the eyeballs I had hoped for. But I’m not doing Inktober right now. I did Inktober last month.

I have to be doing one thing at a time. If I am making videos and games and comics and childrens’ books and funding, I have to be working on only one of these at a time for multiple days at a time. I may do one per month. I may do one per week. But I can’t do two per anything ever, ever again. I am making it work half-ass right now because I promised a game in November, and I promised the comic would come out every day this year and I’m doing the Kickstarter right now and I owe it a fair shot.

Tomorrow I have an appointment to work on a business plan. My business plan has to be to make one thing at a time. And it has to be something that gets my work to my audience and starts up a cash flow.

So today, I figured I had better sort my ducks out. Here they are. Now it’s time to ponder on how to line ’em up.

My third post today: Considering the Plan

The following section now breaks Hat Trick into two pieces in the November Monthly. It’s a little ad-hoc and hastily assembled due to precise constraints on how many comics I needed…

Some of these are Frankencomics, single comics assembled from panels of multiple different previous comics. I’m not 100% happy with them. They mostly make sense and say what I want to say in the space I was given. I may make some additional comics to try out different ways of saying what I mean to say more intentionally rather than reuse the old ones or use frankencomics.

I’ve got about a week to figure it out. No big deal. If Bunny Trail Junction isn’t perfect on its first outing, well, that’s how I learn the skills that will perfect it.

So let’s think about some stuff I’ve largely already covered on this blog:

Sadly, it’s late, and I’ll have to consider course corrections tomorrow, which is irritating because my aim was to reach a conclusion today. But describing the question is half the answer.

Captain’s Log L9·R1

Three days left in September. I’ve got my plan.

I work on the Awesome Moments Kickstarter as my primary project every day until it’s good to go. Target Launch Date for the Kickstarter is October 9th.

Let’s GOOOO!

Once it’s ready to go, I return to Hat Trick: Prelude to Nightmare. At this time, I might start streaming my development on Twitch or YouTube.

Yesterday I made a brush holder so I could ink vertically.

Image
Image

And inked a Hat Trick with it. End result: good idea, didn’t actually make things easier overall.

Image

ONWARD!

L9·O2: Too many things

Progress progresses nicely. Sometime in the next handful of days I shall upload some new Hat Trick comics, and we will do another compare and contrast between the different drawing techniques.

The game prototype is also coming along. I went from not having enemies:

…to having enemies you can attack and kill in a single day.

I’m still stumbling along slowly because I don’t know the language or the engine, and yet it would take me as much time or more to do this in Unity, and I do know the language and the engine.

Over the next day or so I want to generalize the character physics. Next week, we’ll add some enemy AI.

I have a pretty good plan to roll up an indie game business, and I’m fairly confident in it. Problem is, it won’t pay me before November, and it won’t be self-sustaining before February assuming I do nothing else. But I’m aiming to do other things. Maintain and get ahead on Bunny Trail Junction, which after all, ties into Bunny Trail Junction. Oh, and launch a crowdfund for Awesome Moments.

I’ve made zero progress on that front.

I’m confident. I’m energized. I’m more productive and focused than I’ve ever been. (I’m medicated). But… I’m trying to do too many things. I don’t think I can launch the crowdfund if I work on the game at all next week. I don’t think I can get the game done in time if I work on the crowdfund at all.

And my family is hard up for cash, me having lost my job. If the crowdfund works, I’ll get money in mid-November. If the game makes any money, I’ll see that in mid-November. If I get a day job, it’ll be all I can do to keep the comic running.

I think I’m going to prioritize the crowdfund, try to launch by October, and as soon as it’s launched, go back to working on the game.

Hard choices. Pray for wisdom.

I’ve been considering how to get ahold of my audience. The six-year-olds. The people who want to read Jump the Shark and Hat Trick.

The easiest way is YouTube. Launch a new channel. Dramatic readings of my books complete with illustrations on the screen. I could produce weekly content if I went back to the Kids’ Pulp system I’ve previously outlined. Of course, that one extra ball in the air would definitely cause all the others to fall. But maybe it’s something I can bring into fruition once I’ve safely landed Awesome Moments 1 or Hat Trick: Prelude to Nightmare or both. Anyway, I wanted to get the notion written down before it escaped me. Write one bedtime story a week. Make one illustration for it. Read it out loud for YouTube. They can’t all be stinkers.

Each of those stories becomes a seed that can turn into Bunny-Trail comics, children’s books, games.. It’s a great idea. But I need to decide if it’s the great idea I’m going to go for.

Got a lot of compliments the other day for my piqha. I miss my piqha. I want to do something with them.

Captain’s Log L9·52: Comic Relief

As I’ve gotten further into my inktober work, different pictures have taken over the cover of the October monthly. Here’s the current lineup:

(And hey! The September monthly is finally available for sale!)

Meanwhile I’ve begun work on a game. Work is slow because I’m doing two full ink drawings a day, which eats into the time I can work on the game at all. Here’s what two days of this have netted me:

Let’s pretend I have about 4 hours of brainpower in the tank per day. That’s one per comic, and one spent on Japanese, leaving me only one for the game. To be sure, I spent more than two hours on this program — but most of the stuff outside the two hours of “brainpower” were minor tweaks rather than getting somewhere and doing something. So, all told, not bad.

Normally, my rule with Bunny Trail Junction is it has on months and off months. In on months, I focus all my brainpower on the comic, and I expect to produce three to five episodes a day. This is what I was doing during my proof-of-concept in April.

If, say, I’m working on a video game, it’s an off month. In an off month I produce one comic a day. So in an on month I am rapidly gaining ground, and in off months, I am slowly losing ground. Simple enough.

I’m making a game, so September is an off month, right? Except I’m doing two drawings a day instead of one because I have to hustle through the Inktober prompts and get them all done before the Ides in patent violation of the spirit of the law. So, I’m trying to cobble together the bones of a game while working twice as hard on comics as I intend to do for the rest of the month once the Inktober prompts are finished.

By the 14th, my visit with the doctor, the prompts should be finished, and I should be back down to making a comic a day and spending the rest of my brain hours on the game. If I throw together a decent series of comics about the game, I can have November assembled within days of October and start to be truly ahead of the game. The game being Bunny Trail Junction obviously.

But one dark shadow has been lurking in the corners of my mind.

What about Awesome Moments? Awesome Moments is the most important thing on my to-do list, after all! Making comics about bunnies fighting goblins is nice, but this is leaving a record of my faith for my children!

When am I going to finish that?

Oddly enough, Awesome Moments got kicked into production by my work on the comics. This:

Became this…

…and this…

Perhaps it is time to unfurcate it, and roll Awesome Moments back into the comic.

I’ve toyed with the idea of setting Awesome Moments as the story of David Jones catechizing his kid.

It sidesteps a lot of the angst I have over it. As a convert from one faith tradition to another, I am painfully aware of the doctrinal differences between me and my Christian brethren. It doesn’t matter: Awesome Moments is my presentation of the faith to my children. I cannot, I must not, bend on any doctrine of note just because I love my brethren with whom I disagree.

So, you know, if you’re reading my Bible Story books to your kids, and you disagree with me, you’ll want to point out (incorrectly, of course) where I’m wrong. You should be doing this with all the childrens’ Bible Stories you’re using already. You don’t know what crazy cults have gotten their fingers into making those books!

Making the book “The Bible, as told to John Michael by his dad” makes this a lot less messy. You can say, “Look, David Jones is super cool, and we love his perspective, but he’s an imaginary character and sometimes he gets important stuff wrong.” Badah-bing, badah-boom.

(Of course, there’s no need, as obviously I am right about everything. But the option is now cleaner.)

Anyway, today I was avoiding work, as one does on the Lord’s Day, and pondering, and the thought came to give it a little test comic. And here we go:

If I decide I don’t like it, I don’t have to run it. But for some reason, this feels right. This feels like how I’m supposed to do this.

Intellectually, it’s not quite right. Bunny Trail Junction is supposed to be pure entertainment. I’m not trying to evangelize with my comics. There are Believers in them, and Christianity is true in them, but they are meant to be Christian stories in the same sense Lord of the Rings is a Christian story: that is, the work of a Christian craftsman plying a trade, not as a preacher, but as a man pursuing excellence in his particular craft.

But it feels right. And as I grow older, I get more mystical. My gut says aye. The ayes have it.

For now.

Captain’s Log L8·X2: Wrapping Up August, Looking at September…

My well oiled machine of Bunny Trail Junction has thrown a cog: I submitted the September monthly for publishing back on August 13th and…

Reasons it could be delayed include copyright disputes, and I quoted a single Bible Verse at the beginning of the book without giving the appropriate copyright notice, so I think that’s what’s going on. Unfortunately, I can’t do anything about it until Amazon takes it out of Limbo. After more than half a month, I begin to worry that it will never leave Limbo, and September will be the lost episode.

Of course, September is scheduled. And I have a new picture of my merch to put on the “Support Bunny Trail Junction” page:

It’s incomplete without the September Monthly, but I decided to add in all my kids books. Including Awesome Moments, even though it isn’t done and available for sale yet.

Which leads me to the question of what to do tomorrow.

Continue reading “Captain’s Log L8·X2: Wrapping Up August, Looking at September…”